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Gore Tech. Manchester, UK. ドラムとベース Electronic music production for the future-phobic™ [email protected] http://www.gore-tech.net

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Hoppla Hesten. Oslo, Norway. Hoppla Hesten is a voluntary organization of bands, artists and others who conduct culture in Østfold, Norway. Hoppla Hesten works as a cultural collective and record label. The organization is basically a bunch of buddies, where everyone plays in each others bands, and help each other.

Hypnotic Records. Austin, Texas. Hypnotic Records is Specializing in electronic dance music. The early Rave culture expanded to define a large segment of a chemical generation and Hypnotic was there to chronicle its stars like Crystal Method and its misunderstood adherents on the award winning do***entary DVD: Better Living Through Circuitry.

Voice of Nooit by *** Gathering, released 25 July 2013 1. Johnny Cool 2. Addicted To You 3. Take Me Away 4. The Voice Of Nooit 5. Holiday Roundabout 6. Windup Lollipop 7. Rock & Roll 8. Hou My Vas Korporaal 9. Willie Smit 10. Button Your Lip 11. Changing My World 12. National Hero Originally released as the 'Voice of Nooit' cassette back to back with Corporal Punishment In 6 weeks, during the Cape Town summer of 1985, *** Gathering wrote most of these songs, rehe***d them, performed them, recorded them (onto a TEAC 4track Portastudio) and narrowly escaped arrest for smoking zol at the Glass Theatre. The 'Voice of Nooit' was a by-product of this gathering. It was adapted from a poem originally submitted to the Palladium fanzine by James Phillips. ________________________________________ *** Gathering was Karl Helgard - guitar/vocals James Phillips - guitar and vocals David Ledbetter - bass / guitar / vocals Wayne Raath- drums all songs were written by James and /or Carl IN LOVING MEMORY OF HENDRIX PET RUS GOTTHART JANSEN (1957 - 1982) ______________________________________________________ October 1981. Three o’clock in the morning and there's some *** in the street strolling past my house playing rock ’n roll on an acoustic guitar with inflammatory disregard for everything that normally happens at three o’ clock in the morning. But I can hear there’s something special in the music out there. I find myself shrugging off the embrace of Morpheus and before the next quiet tic of my alarm clock; I’m at the front door. It’s opening and outside on the stoep is my old pal, James Phillips. I’d thought that after the nuclear disarmament of Corporal Punishment, I’d never see him again. But there he is, very early on a damp Cape Town morning, raindrops slipping off his Yamaha nylon string guitar, a soggy joint clamped between his lips. Smiling! “Want a hit?” Of course I want a hit. I know James. He knows me, we both want a hit, but neither of us will ever have one. And, we haven’t really spoken since I stupidly took the few recordings Corporal Punishment had produced to those idiot record company exec types in Johannesburg and tried to interest them in the stuff. I don’t know what I was thinking. Corporal Punishment didn’t so much as break up as disintegrate. James went to Grahamstown, I fled to Cape Town, Herbie Parkin and Henry Jantzen stayed in Springs and Mark Bennett … well, someone dressed in a Taliban turban at the Salt Rock Country Club Christmas ball spilled beer all over Mark’s keyboard. The cost of the repairs ended Mark’s career as the Corporal Punishment keyboard player. Later, Herbie emigrated to Sweden and Henry managed to get himself *** in a mining incident. So things were a little splintered. But here’s James in my lounge now and one ‘ting turns to another and three o’ clock turns to four o’ clock and five o’ clock goes, etc. Suddenly its morning, I’m feeling ill and I have to phone the shipping company I’m working for and tell them so. They’re sweet and rusting like their ships, so they tell me to come back to work when I’m feeling better which makes me feel better already. So, feeling better, James and I decide on a trip to the local purveyor of fine whisky – six bucks a bottle - and only one per customer. We’re out of our trees! We’re smashed like cars at the Goodwood drag strip! We find ourselves at the Grand Parade. James buys a “J&B Met” style fashionista hat from a Chinese stall and, realising our lack of the wherewithal, we head off to Gympie Street to see what we can score. Gympie Street is one thing on a Friday night, but it’s totally another jol on a clear crystallised Friday morning. When this guy who’s got POES tattooed on his forehead sc***s himself over to my Combi and tells James that he likes the hat, we hand it over without an argument. We score. We run for home. We smoke. Life’s looking good. We take turns sharing our new songs. I show him mine and he shows me his. I suggest we start a band and play a gig at the weekend. A light flashes in his eyes. I know temptation when I see it! ‘The *** Gathering’ is gazetted. All we need is a couple more people and we’ll be constitutionally declared undesirable! I get hold of my friends. Brett Murray, a part time bass guitarist who, years later is to become the Standard Bank young artist of the year - though not for his bass playing, thank God - and Brian Rath, a drummer, world renown for his prodigious experimentation with mood altering substances, are keen. We set up some practice time but for the life of me I can’t remember any of those rehearsals. We must have had one or two because six days later, we play an utterly uproarious gig at ‘The 1886’. Thirty-six hours later James is thumbs-out back on the road to Grahamstown and I’m behind my desk tapping a desultory rhythm on my adding machine at Co-Op Shipping. But the seeds were sown, and even though we both knew this wasn’t going to be a long-term thing, we decided to give it another go later that year. December and James Phillips arrived simultaneously in Cape Town. The only problem was that Brian Rath and Brett Murray had had enough. The fame was too much for them, I suppose As it happened, one of our old Springs chinas was in town. James was a bit skeptical when I suggested we phone Dave ‘Mr Jazz’ Ledbetter. But when Dave agreed to eschew soloing of any sort and play nothing but the bass guitar, there was no dispute. I can’t remember if we found Wayne Raath (no relation to Brian) or he found us, but he somehow became our drummer. And we found ourselves a practice room somewhere in the middle of memory lapse and started rehearsals. The Argus agreed to do an interview and a photo session and our publicity machine sprang into action. John Yeld was the photographer and he took the one and only picture of ’The *** Gathering’. The band lasted for six weeks and played about the same amount of gigs. Venues like The 1886, Scratch, The Pepper Street Theatre, The Space and The Roundhouse in Kommetjie spring to mind, but for the life of me apart from the odd arrangements of songs, everything about these gigs escapes me. In the new year we went in to a studio to record what we had written. A pal of mine had somehow talked his way in to running the place. He had no idea about sound recording, but he was a wide boy and never let understanding cloud his vision. The studio was located in the Broadway building in the Fores***, two floors below what was the American Embassy. It was a very bemused bunch of security guards who watched us traipsing in on that first day with our instruments and bottles of wine. The studio was a pretty cool place with about a 100 sq metre live area and a separate isolated control room about a quarter that size. The heart of the studio was a 16 track mixing desk, which only had two outputs. Whoever had been running the place before us had removed the actual tape machine but that wasn’t a problem because I had a ‘Portastudio’, a four track cassette recorder that we plugged the desk’s two outputs into. We had no plans to go commercial with our rocking horse *** so this was good enough for us. The previous tenants had left their collection of sound effects records. So, to start off, we decided to do a couple of skits, mainly because we needed to learn how to operate the bits and pieces of equipment, but also because we were ***ing stoned at the time and we thought it was all very funny. I’d written three bits, one a rip off of a Kelly Tyres advert – Kelly Tyres Are Tough! Remember that? Then there was a piece on the standoff between PW Botha and Andries Treurnicht in the race for supremacy in the Transvaal, and the Willie Smit thing. But we decided to start with an idea that James and Van (who played bass for The Softies) had been knocking around over a waterfall a couple of years earlier. It was ‘The Voice of Nooit” and it became the title of the record. To get the ‘witchy’ sound of James voice, we used a wonderful little thing that came with the Portastudio. It was a speed control *** that could be twiddled while he was talking. Also we ***ly abused a Roland cube amp, which had a built in spring reverb to create the cheesy thunder sounds. Lovely! And of course there were the sound effect records. When ‘the footsteps of the voice of Nooit retreated into the cold wilderness’ James went stomping down the corridor with his size tens. In fact, the corridor became quite a useful tool later. When it came to recording the actual songs we realised we had some serious limitations. We only had two amps, the aforementioned Roland cube, which I ended up using, and someone’s borrowed something or other with a torn speaker that James fell in love with. To get around this we plugged Dave Ledbetter’s bass directly into the desk – luckily the old tenants had also left a bank of headphones there. Now we had the beginnings of a sound we could jam to. All very well, but the object was to record the stuff. The Portastudio was limited to four tracks and could only record two simultaneously. We worked out that we needed two tracks for a stereo drum mix, one each for bass, rhythm and lead and at least two for vocals. That already came to seven without any additional effects and stuff. This would mean a bouncing down of tracks and an audio quality loss was on the cards. So stereo went out of the window. I don’t remember it taking too long to get the basic drum and bass things down. Once we had them all, Wayne and Dave’s jobs were ostensibly all over bar the shouting. Then it was up to me and James to jam our guitars over the top. Altogether the whole process couldn’t have taken more than a couple of days and we found ourselves with time to spare, zol to smoke and vocals to sing. There wasn’t a reverb machine in the studio, so we took to recording most of the vocals outside in the corridor. We found that different areas had different reverb lengths. The area nearest the lift had a fantastic short reverb so we spent a fair amount of time down there. We finished most of the singing and started adding all kinds of sound effects and odd cheesy keyboard bleeps and bloops. We made shakers out of boxes of matches, half-empty wine bottles and pretty much anything that made a sound. There was an old battery-operated keyboard of mine that made strange noises when the batteries were run down, so that got used a fair amount. Wayne and Dave dropped in every now and then. I remember Wayne being a bit horrified at what we were up to but it didn’t stop him from joining in. He was very good at cymbal dropping and bottle bashing if memory serves. After James left, Dave and I carried on messing around with the arrangements. Apart from ‘Wind up Lollipop’, we left James’s songs as they were, mainly because he wasn’t there, but also I felt they were pretty good as they were. You can hear the songs I wrote because there are all kinds of harmonies and extra guitar and keyboard effects on them. I’ve subsequently heard that Wayne was quite ***ed off about this messing around phase, but quite honestly I think the juxtaposition of the fiddled with the unfiddled gave the project an added dimension. Also, who cares! The record was never meant to go platinum. It became a wonderful souvenir of a time of mayhem. True there are some songs that got lost and some like ‘Wind up Lollipop’ that changed completely from a semi-punk number into a sweet little pop gem. If there’s anyone out there who still has a Portastudio, I’d love to borrow it and I’m sure I’ll unearth some other half-finished pieces. Too many things slip past us when we’re young and thick with the strengths and excesses of youth. But occasionally something sticks and for me, it was the period of time that I played in ‘The *** Gathering’. It was a band that should never have been and mostly never happened. But nobody can take that experience away from me. I still listen to ‘The Voice of Nooit’ every now and then and, even after all these years, I still feel proud of what we did.

Industrial Strength Records. New York. *** Techno label since 1991 ! Founded by pioneer DJ/Producer Lenny Dee. https://www.junodownload.com/labels/Industrial+Strength+US Follow ISR playlist: https://open.spotify.com/playlist/6D31wX2jw1qAHV1SeSPNS9?si=Es48Nl2yQDOark9GIF8-ow SAMPLE PACKS https://www.loopmasters.com/labels/20-Industrial-Strength

Karl Kave & Durian. St. Gallen, Switzerland. “Aus dem Patriarchat macht Gurkensalat!” Karl Kave & Durian scheuen sich nicht vor grossen Parolen, obschon sich bei genauerem Hinhören eine Lust an inneren und äusseren Widersprüchlichkeiten kundtut. Words: Andrin Uetz Music: Carlo Rainolter

in cobalt aura sleeps by Kassel Jaeger Jim O’Rourke, released 15 May 2020 1. in cobalt aura sleeps 1 2. in cobalt aura sleeps 2 Second outing from Jaeger and O’Rourke following the release Wakes on Cerulean on Editions Mego in 2017. Covering a vast terrain with delicacy and poise this new release unveils a spectral showcase for all manner of deep abstraction. The first side positions itself somewhere between stoned komische synth and more nuanced electroacoustic tactics, all weighted by a melancholic undertow. The second side builds on the tension of the former as an undulating drone teases all variety of matter to rise and fall amongst the foreign space it inhabits. The effect creates an enormous sense of deep space before subsiding into a smaller more anxious flickering world. All manner of machines fold into play; digital machines, industrial and ***ogue machines. The seemingly random yet ordered nature of events is reminiscent of the behaviour of the natural world providing this machine driven release a convincing organic feel. Whether invoking mirrors, distant galaxies or a pond of frogs it is a delightful challenge to focus and locate what is nature and what is nurture. To play this loud is to immerse oneself in a fascinating journey which carries the listener through an array of dizzying emotional states.

Kh3rtis. Prague, Czechia. Sonic Stories from that dive bar at the edge of the universe. www.kh3rtis.com

Cari Lekebusch. Stockholm, Sweden. Here you find many psudonymes of Cari. For the Hybrid Productions, Mystic Letter K & Motto Sono catalogs please ride the Bandcamp links below.

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On The Screen by Linear Movement, released 25 April 2019 1. Way Out Of Living 2. Cytogenetic Movement 3. In My Head 4. Five Faces 5. The Game 6. Due To You 7. I Think I'm By You 8. To Another Soul 9. On The Screen MW013 The thirteenth release on Minimal Wave is Linear Movement’s ‘On The Screen’ LP, a collection of songs originally slated for release in 1983. Linear Movement is Belgian mastermind Peter Bonne (A Split-Second, Twilight Ritual, Autumn) joined by Peter Koutstaal, and Lieve Van Steerteghem on vocals. Some tracks appear on the exquisite Pulse Music cassette (released by the Micrart Group) while the rest are previously unreleased. Linear Movement was featured on V/A The Lost Tapes LP with their highly acclaimed The Game, described as an “unstoppable pop song”. Due to so much interest in this song, we decided a full LP needed to be released and so we present it to you: hand-numbered, limited pressing on 180 gram vinyl, and accompanied by a large glossy postcard photograph of the band live - now Sold Out. These songs are perfect for the dance floor and for home listening too!

Star_Dub MattStar CNTRL PolyfanPolyphenix BinaryOperator YamYam. Offenbach, Germany. New and old music of various psudonyms of myself + a fine selection of labels I run. <3 MATT

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Metamorphic Recordings. Berlin, Germany.

Turning On The Light In You by Eternal Ba***t Hollow Lake - The Theme by Eternal Ba***t Techno Liquid by Eternal Ba***t Seductive Incantation by Eternal Ba***t Blestem - The Music Themes by Michael Kohlbecker This Jam Is Hot by Michael Kohlbecker Tracks For Meat by Michael Kohlbecker & Eternal Ba***t Rub The Skin by Michael Kohlbecker feat. Maniaclina Paradise Is Now - Meat Mix by Eternal Ba***t Fantasy by Michael Kohlbecker No Distance EP by Hammerschmidt & Eternal Ba***t You Are Connected - Club Version by Eternal Ba***t You Are Connected EP by Eternal Ba***t Meet Michael by Eternal Ba***t Taking Place In You - 2024 MIX by Eternal Ba***t Hybrid by Alien Dub Systems Time Distortion by Deepostopia Complete by Michael Kohlbecker Mystic Ride by Eternal Ba***t PARTYTUR by Seelenfarbe Durch Schlag by Michael Kohlbecker FXCK THE SYSTEM - Michael Kohlbecker feat. Schastn ebr014 by Michael Kohlbecker Fxck The System 2024 Mix by Michael Kohlbecker feat. Schastn Endlich Wach by Michael Kohlbecker END OF TIME - To The Mind 2024 Mix by Michael Kohlbecker Wo Kommen Wir Her - Official 069 Remix Michael Kohlbecker by La Rez Paradise Is Now by Eternal Ba***t Kraft by Eternal Ba***t Minded by Eternal Ba***t Paradise Is Now by Eternal Ba***t After Math - End Of Time Mix by Eternal Ba***t Schattentanz by Michael Kohlbecker Sun Dive EP by Eternal Ba***t Böse Bässe by Michael Kohlbecker Immer Tiefer by Michael Kohlbecker Welcome by Michael Kohlbecker Un-slaved Existence EP by Michael Kohlbecker Inside The Upside Down - Eternal Ba***t & Juno Reactor by Eternal Ba***t & Juno Reactor This Is Not A True by Michael Kohlbecker All We Have Is Now by Michael Kohlbecker The Others - Original by Michael Kohlbecker The Others - Remixes by Michael Kohlbecker The Others - Unmensch Remix by Unmensch The Others - 5D aka Fünf D Remix by 5D aka Fünf D The Others - Egomorph Remix by Egomorph Retailiation by Michael Kohlbecker feat. Julika Kyelle Domestic Purge by Michael Kohlbecker Hommage to French Kiss by Le Jardin The Transition by Michael Kohlbecker Blade Of Seduction by Michael Kohlbecker Science Faction - Eternal Ba***t Album by Eternal Ba***t And The Woofer by Eternal Ba***t Philotopia (Open Air Mix) by Eternal Ba***t House Of Faction (Dorian Gray Mix) by Eternal Ba***t Science Faction (Album Edit) by Eternal Ba***t Science Faction (EBR EP Version) by Eternal Ba***t To Bent Minds (EBR EP Version) by Eternal Ba***t Mind Gate by Eternal Ba***t La Bombe Du Froid (EBR EP Version) by Eternal Ba***t Modus Vivendi (Opus No. 2) by Eternal Ba***t Science Faction by Eternal Ba***t Science Faction Hammerschmidt Remix by Eternal Ba***t Science Faction - Egomorph Remix by Eternal Ba***t Science Faction Björn Zimmermann Remix by Eternal Ba***t Science Faction Felix Reichelt Remix by Eternal Ba***t Spiral Arrival - The AJJA Remix by 5D aka FÜNF D Change Is Coming by 5D aka Fünf D and Stefan Ludley Change Is Coming by 5D aka Fünf D and Stefan Ludley Change Is Coming LIVING LIGHT Remix by 5D aka Fünf D and Stefan Ludley Change Is Coming AJJA Remix by 5D aka Fünf D and Stefan Ludley PSYBASCO & DARKBASCO by 5D aka FÜNF D Darkbasco by 5D aka FÜNF D RADIX EP 5D aka FÜNF D ebr023 by Michael Kohlbecker RADIX 5D aka FÜNF D ebr023 by Michael Kohlbecker Spiral Arrival 5D aka FÜNF D (ebr023) by Michael Kohlbecker Voll - Joey Link by Joey Link Yellow Dolphins & Air Liquide (5D- FÜNF D Remix) by 5D aka Fünf D To Bent Minds - Eternal Ba***t EP by Eternal Ba***t State Of Celine by Eternal Ba***t Le Bombe by Eternal Ba***t Michael Kohlbecker "WH(A)Y(I)" & "Train To Dark Central" + Remixes ebr025 by Michael Kohlbecker "WH(A)Y(I)" Original version by Michael Kohlbecker "Train To Dark Central" Original version by Michael Kohlbecker "WH(A)Y(I)" NIEREICH Remix by Michael Kohlbecker "Train To Dark Central" *** Remix by Michael Kohlbecker "WH(A)Y(I)" SHADYM Remix by Michael Kohlbecker "Train To Dark Central" DEMEK Remix by Michael Kohlbecker "WH(A)Y(I)" SCHASTN Remix by Michael Kohlbecker Polizisten EXTRABREIT End Of Time Remix by EXTRABREIT End Of Time Hernan Bass Remix by Michael Kohlbecker MODUS Eternal Ba***t Dark Side Remixes by Michael Kohlbecker FM Bass Lover Eternal Ba***t (Cari Lekebusch Remix) by Cari Lekebusch FM Bass Lover Eternal Ba***t (George Makrakis Remix) by George Makrakis Traumatized Eternal Ba***t (Schastn Remix) by Schastn Breakline Eternal Ba***t (Demek Remix) by Demek MODUS Eternal Ba***t (Outside Remixes) by Eternal Ba***t Yellow Dolphins & Air Liquide (Christian Craken Remix) by Christian Craken Eternal Kiss (Toni Rios & Tygon Remix) by Toni Rios FM Bass Lover (Tom Wax Remix) by Tom Wax Eternal Kiss (Gabriel Le Mar Remix) by Gabriel Le Mar MODUS by Eternal Ba***t Switch The Things by Eternal Ba***t Eternal Kiss by Eternal Ba***t You should do it by Eternal Ba***t FM Bass Lover by Eternal Ba***t MODUS by Eternal Ba***t WOY - Generation Z Mix by Eternal Ba***t Traumatized by Eternal Ba***t Breakline by Eternal Ba***t We Don't Stop by Eternal Ba***t FXCK THE SYSTEM - Michael Kohlbecker feat. Schastn ebr014 by Michael Kohlbecker Ersatzverkehr - Michael Kohlbecker ebr014 by Michael Kohlbecker PRIDIE EP - Michael Kohlbecker by Michael Kohlbecker NO OTHER by Michael Kohlbecker Antisystemic (Antisystemisch) by Michael Kohlbecker TABASCO - Kohlbecker & Eilmes by Michael Kohlbecker TABASCO Reloaded by Michael Kohlbecker TABASCO Sound Bass Mix by SOUND BASS MONOSAPIENS by Michael Kohlbecker Wirkstoff by Michael Kohlbecker End Of Time by Michael Kohlbecker Come To My Skin by Michael Kohlbecker End Of Time by Michael Kohlbecker The Endgültig by Michael Kohlbecker To The Mind - In The Mind by Michael Kohlbecker Taking Place In You - Eternal Ba***t by Eternal Ba***t Parkhouse - Eternal Ba***t by Eternal Ba***t Another Shot - Eternal Ba***t by Eternal Ba***t Kraft - Eternal Ba***t by Eternal Ba***t Reaching Out - UNRELEASED by Eternal Ba***t NERV - Eternal Ba***t - Album by Eternal Ba***t WOY by Eternal Ba***t Mind Out by Eternal Ba***t A Fly By by Eternal Ba***t Nerv by Eternal Ba***t When Sadness Comes by Eternal Ba***t Poem by Eternal Ba***t Hologram by Eternal Ba***t Carpe Noctem - Eternal Ba***t by Eternal Ba***t Gesichtsmassierer Original Mix by Acidsinti & Weedfreak B Flame by B Flame Some Get Saved (303Mix) - B Flame by B Flame Some Get Saved - B Flame by B Flame Tochluaney - B Flame by B Flame Electric Ba***t - Let Your Mind Fly by Electric Ba***t State Of Suspense - Ramin feat. E Ba***t by Ramin feat. E Ba***t Synthetik Dream - Ramin feat. E Ba***t by Ramin feat. E Ba***t Zustandsgeber - Eternal Ba***t Album by Michael Kohlbecker Magnet - Eternal Ba***t Album by Eternal Ba***t Prelude 01 J.S. Bach - 5D aka Fünf D Remix by 5D aka FÜNF D Modus Vivendi (Opus No. 2) by Eternal Ba***t 5D - DAS SIGNAL (The Signal) by 5D aka FÜNF D 5D aka FünfD - MASSIVE by 5d aka FÜNFD 5D aka FÜNF D - ALLES WIRD GUT (Everything is gonna be alright) by 5D aka FünfD AM HANG by 5D aka FünfD PIZ ZOREGA by 5D aka FünfD IT'S HOT by 5D aka FünfD FRÜHLINGSAUSLÖSER by 5D aka FünfD Sommer - Vivaldi - Eternal Ba***t Remix by Eternal Ba***t Toccata & Fuge - J. S. Bach - Eternal Ba***t Remix by Eternal Ba***t Eastern Wish by Magnat Do You by Magnat Eastern Wish - Michael Kohlbecker Dark Tech Remix by Magnat The Saga by Magnat The Saga Continues by Magnat Angelheart by FÜNF D Save Earth by FÜNF D AR006351 Machines by DJ Goodgroove & Michael Kohlbecker / AR003651 Zustand by LASZIV Taklamakan by Taklamakan TRONIC II - What's up by Tronic TRONIC II - It Comes by Tronic First Light - Negative Return by Negative Return The Poets - Paragon by Paragon Everything Was Legal - Paragon by Paragon Monk's Trance - Paragon by Paragon The Poets Remix - Paragon by Paragon Multiline - Paragon by Paragon *** Woman - Tronic by TRONIC Coaxial - Tronic by TRONIC EAR SPANKERS - ICH WILL & FLEISCH by Ear Spankers Fleisch by Ear Spankers ICH WILL by Ear Spankers Negative Return by Ear Spankers Bass ***ist by Ear Spankers Say Yes by Magnat AR006351 Traffic by AR006351 Traffic Störaktion by Masun Montauk P "If I" by Montauk P Def=Lim by Montauk P Michael Kohlbecker ETERNAL BA***T born on SVEN VÄTH's legendary label HARTHOUSE 1994. ETERNAL BA***T (Michael Kohlbecker) reached international cult status with the releases “Taking place in you” “Kraft” & “Nerv” anthems of LOVE PARADE, NATURE ONE & Sven Väth's club OMEN. Remixes made for: JAM & SPOON, JUNO REACTOR, RESISTANCE D, JOACHIM WITT, PULSE, SAAFI BROTHERS. Now it's coming home again "To Bent Minds"

Milton Bradley. Berlin, Germany. Bookings: [email protected]

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Tears & Hope - Part 4 by Mollono.Bass, released 25 April 2025 1. Mollono.Bass / MAZ'N - Another Fall 2. Thunderstorm Crane Tears & Hope, the forthcoming Mollono.Bass album, is all about contrasts. There’s Thunderstorm Crane, for instance, a tune that rolls onto the dancefloor like the dark, billowing wall of clouds that heralds heavy rain. In this picture, the melody is like a swarm of butterflies fluttering between the last rays of sun in the electrified atmosphere. Another Fall, one of the co-productions with MAZ’N on the album, plays with the warm uplift of synthetic melodies and the ***ogue, highly emotional depth and poetry of a human voice. The mutually reinforcing contrasts in these tracks give lively expression to the concept of Tears & Hope.

Hey Daydreamer by neil halstead, released 02 February 2012

Nerthus. Thuringia, Germany. nerthus is audio and visual dark ambient since the beginning of the new millenium! all music, photographs and artwork by nerthus ...

Noisia. Groningen, Netherlands.

Peng Sound Records. Bristol, UK. FOR THE VINYL, PLEASE USE OUR SHOP: RWDFWD.COM Thanks for your support! <3

Live At My Father's Place 1978 by Peter Tosh, released 27 May 2014 1. 400 Years 2. Stepping Razor 3. Pick Myself Up 4. African 5. *** 6. Talking To The Crowd 7. Soon Come 8. The Toughest 9. Bush Doctor 10. (You Gotta Walk) Don't Look Back 11. Get Up Stand Up 12. Jam 13. Legalize It Peter Tosh was a founding member of The Wailers with Bunny Wailer and Bob Marley. The Wailers disbanded in 1974, and Peter signed to CBS Records and released his classic solo debut, "Legalize It" in 1976 followed up by "Equal Rights" in '77. The Rolling Stones were smitten with Jamaica and Reggae, and signed Peter up to record for their label. His album "Bush Doctor" featuring his classic duet of "(You Gotta Walk) Don't Look Back" with Mick Jagger was released in '78 and shortly after, he went on tour as an opener for The Stones on their "Some Girls" tour. The music in this smokin' 70 minute set was culled from two performances at the legendary My Father's Place club in Roslyn, New York on the 4th of July 1978, a rare night when he wasn't opening for The Stones. it's an amazing historical performance simulcast by influential NY area AOR radio station WLIR. The backing band for the show was Tosh's new band, Word, Sound & Power that features the iconic drum and bass team of Sly & Robbie. The recording is a must have for collectors and fans of Marley, Tosh and the Wailers.

alles auf einen blick

Pezzner. Seattle, Washington. David Brian Pezzner was born in Tarzana, California in 1975 and currently lives in Seattle, Washington. He is 5 foot 7 inches in height and weighs about 165 lbs. His brother, Bill works at the Port Of Seattle and has four children. Bill’s wife owns a local publication and is a s*** bicyclist. Pezzner speaks only English and cooks meals on most days.

Laptop with Côtes du Rhône on Card Table by pimmon, released 01 January 2012 1. Klondy Klam Sang/Turps/The Gamelan Police/Shudder Higher 2. Buttered On Noth Sides/Belmont Crackle/Pockaloi/Do The Torben Tilly

Roberto Auser. Netherlands. / Musician and artist / Providing oasis in the Babylon of information

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PROFIT AND ***. Bremen, Germany. We`re a 5-piece band coming from the rather north area of Germoney (meaning Bremen and Osnabrück) and we play a rough mix of d-beat and anarcho-punk, both very political and very beer-drenched. We started in 2000 and after several line-up changes the present members are Gringo and Kasi on guitars, OB on bass, Porky on drums and Pappe doing the shouts.

Es läuten die Glocken by Psych.KG, released 24 March 2014 1. TyLean - Am***tion Of A Heart 2. UP-TIGHT - Falling In Love 3. Majutsu No Niwa - Whither No Mistakes 4. Ultra Milkmaids & Harris Pilton - Atomic 5. Marble Sheep - Count Five / Last Race 6. Michel Henritzi & Junko - End Of Night 7. Eric Lunde - The World Is Its Own Accident 8. Karl Bösmann - One Leg Dance 9. Hiroshi Hasagawa - Eternal Annulation 10. Contagious *** - Spot 2014 11. Engram - What Am I 12. Attrition - One Horse Rider

Fall Into Noise (Ether Mixes) by Raven Bush, released 22 April 2022 1. Factory of Light (Ether Mix) 2. Coming Up For Air (Ether Mix) 3. Made of Stars (Ether Mix) 4. Your Space (Ether Mix) 5. Start of Something New (Ether Mix) 6. March (Ether Mix) 7. The Window (Ether Mix) 8. Never (Ether Mix) 9. Unfurling (Ether Mix) 10. A Choice (Ether Mix) A new companion to Raven Bush's debut album 'Fall Into Noise' released via PRAH Recordings in 2021, this is his Ether collection. He explains: "I created an ambient version of Fall Into Noise as an echo of the main album. Fall Into Noise is built around shifting scenes, moving from space to space with a sense of forward motion. The Ether mixes focus on a particular zone or atmosphere and rest in that suspended space, held in stasis. My intent was to explore deeper into some of the constituent parts of the album to discover what more they can offer if held in this realm. This process of creating 2 contrasting versions resonates with me. It represents duality and the search of weightlessness which I feel is important to explore when the surrounding environment can feel like it tugs and pulls in various directions." In October 2021, along with his band, Speakers Corner Quartet, Raven Bush performed to a sold out Barbican with a show that delivered featured appearances from Sampha, Tirzah, Mica Levi, Kae Tempest and Coby Sey amongst many others. Recent collaborations have included Iglooghost which saw Raven join his UK tour for a string of dates and Rebel Overlay Lab, where Raven composed the audio for kinetic laser sculpture called ‘Air’. On the horizon, the first upcoming project is composing the soundtrack to a Sky Studios and BFI Network funded short film - more details will follow soon. Meanwhile he continues to work on systems to perform his music live, experimenting with setups and approaches.

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Relief Party by Reinier Baas, released 05 April 2024 1. Wahid Jive 2. Ol Cole's Double Time Horn Dance 3. Pivot & Swivel (Interlude) 4. I Wish I Knew No Astronomy When Stars Appear 5. Squalor II 6. Wild Bill 7. Sonatina 8. Pivot & Swivel 9. Wahid Jive (Reprise) 10. Coda À La Pärt 11. Negative Nancy Dance music for odd people, with a stellar lineup including Louis Cole, Jonas Burgwinkel, Ben van Gelder and Joris Roelofs. Written with the Modal Explorer (™).

Robert Elster. Sweden. For more than a 2 decades, Robert Elster (aka Vibrasphere) have been pumping out tracks from the Cloud 99 Studio in Uppsala Sweden. Even though the Vibrasphere project is not active anymore, Robert Elster is still making music under his own name.

Little Things Left Behind 1988 - 1998 by Roger Eno, released 11 November 2013 1. Between Tides 2. Field Of Gold 3. One Gull 4. The Silent Hours 5. While The City Sleeps 6. The Frost 7. Winter Music 8. The Wonderful Year 9. Mister Bosco 10. The Familiar 11. Days Of Delay 12. Heartland 13. Lament 14. The Last Resort 15. Slow And Slender 16. Newton's Statue 17. The Whispering Gallery 18. The Hunch 19. Emberdays 20. Rain Stopped Play 21. Evening Paragraphs 22. Docet Umbra 23. The Whole Wide World 24. The Slow River 25. In Water 26. Amukidi 27. Little Things Left Behind 28. Aryis 29. How You Shone 30. The Parting Glass 31. Somewhere Above 32. Palimpsest 33. Walsingham 34. Turning 35. Mr Johnson Watches The Sky 36. The Third Light 37. Elevation 38. The Black Cat 39. The Flatlands 40. Days Like This Roger Eno started his recording career by collaborating with brother Brian on 1983's Apollo and has contributed music to films such as Dune, 91/2 Weeks and Trainspotting. This double disc collection complies some of his most striking work from a number of out-of-print albums such as Between Tides and The Flatlands. "For three decades now, Roger Eno has been essaying gorgeously muted ambience. Listen closely and you can gauge how clearly and patiently he's constructed his own aesthetic world. The turn to 'ambient country music' on tracks like "The Whole Wide World" cut eerily close to Arthur Russell's recently uncovered folk-pop gems. The real highlights though, are pieces like "The Third Light", whose graceful trails of strings and patiently plotted piano phrases feel like a more restrained, demure Popul Vuh" - Uncut Magazine

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Alix Perez. London, UK.

Stasis by Stasis, released 26 July 2018 1. War on TV 2. Control Maniax 3. Shapeless Tomorrow 4. *** Compassion 5. Crawling in Misery 6. Under Pressure (You Die) 7. Daily Oppression 8. Acrid Smoke 9. Bleeding 10. ***ly Wait 11. Mournful Nights 12. Armed Slaves Corporation Self-produced with the co-operation of: End Of Silence Records (http://www.endofsilence.net/), Get Syro (https://www.facebook.com/syro.gxextx), Heresia Records ([email protected])

Ten and Tracer. Denver, Colorado. Ten and Tracer (est. 2000) is the moniker of one person: Jonathan Canupp (est. 1982).

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