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Pet Shop Boys - brithish duo founded in '80 by Neil Tennant (vocal) and Chris Lowe (keyboards)...

No.1 ที่สุดแห่งความบันเทิง คาสิโนออนไลน์ตัวจริง! ฝาก-ถอนไว ไม่มีสะดุด การันตีความมั่นคง โปรโมชั่นจัดเต็มครบ บอล หวย สล็อต บริการตลอด 24 ชั่วโมง โดย XGambet

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医療モールのクリニックは、少数の看護師が多種多様な職務をこなします。多くの看護師がはたらくような規模が大きな医療機関では、看護師の経験値によって適切な職務が与えられています。

PLUSWIN456 เป็นแพลตฟอร์มเกมพนันออนไลน์ที่เปิดโอกาสให้ผู้เล่นสัมผัสประสบการณ์เกมที่หลากหลาย ไม่ว่าจะเป็นเกมสล็อต บาคาร่า รูเล็ต หรือเกมไพ่ต่างๆ ที่ถูกออกแบบมาให้เข้าถึงได้ง่ายและเล่นสนุก

Nonplusultra by Atrocity, released 26 April 2013 1. Shake Your Heads 2. Tainted Love 3. Rage Hard 4. Shout 5. Die Deutschmaschine 6. Siehst du mich im Licht 7. Blue Moon 8. Deliverance (Das Ich Remix) 9. Gottes Tod 10. Land Beyond the Forest 11. Calling the Rain 12. Die Liebe 13. Die Todgeweihten 14. Willenskraft 15. Love Is *** 16. We Are Degenaration 17. Trial 18. B.L.U.T. 19. Leichenfeier 20. Necropolis 21. Todessehnsucht 22. Godless Years 23. Fatal Step 24. Hallucinations 25. Blue Blood (Remake '96) 26. Procreation (Of the Wicked) © NAPALM RECORDS

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Dynamite Rock'n'Roll from Sweden!

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Revista impressa; portal com actualizacões diárias e Webtv especializada sobre o mundo do transporte profissional e logística.

welcome to the official activa music website. you can find out the latest studio and gig news as well as find links to buy vinyl & more.

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The Ferrante & Teicher page provides a biography, complete discography and rare photographs of the legendary piano duo Ferrante and Teicher.

DJ Shadow: a comprehensive database reconstructed on a career spanning over 30 years.

"john rangel has always been one of this writer's favorite pianists.  he ranks right up there with the elite players on the jazz scene. his ideas are fresh and his touch is beautiful...the audience...

Flux by The Hated, released 13 December 2024 1. The Flux 2. Two People Blue 3. Lighthouse 4. Wherever You Go 5. T.S. Eliot 6. The Ballad Of Dexter Bunk 7. Miggy's Delight 8. Fly 9. Dizzy Gillespie On Capital Radio/Awaiting/The Flux Too 10. Tumbling Ground 11. Echoes of Whistletree Park 12. Changing Chekov 13. The Flux (live) 14. The Races 15. Third Birthday The final recordings by Annapolis early emo pioneers the Hated, Flux compiles their 1989 acoustic and electric sessions, home demos, and live shards from their extensive archive. The accompanying 24-page book outlines the last year of the band with essays from founders Dan Littleton and Erik Fisher, a track-by-track oral history, photos, flyers, and lyrics from this vital post-*** unit. "Hostile and magnetic—like perfume wafting through a barbed wire fence."— Washington Post

Ichisan. Ljubljana, Slovenia. I married music and we lived happily ever after

Cosmic *** Trax. Ljubljana, Slovenia. The most punk of techno labels, the most techno of punk labels.

Doorbraak.be is Vlaanderens grootste opiniemedium met dagelijkse een ruime selectie aan artikels en meningen die je niet in de mainstream media vindt.

Synopsis Seriation by Hecker, released 05 March 2021 1. Synopsis Seriation While you enjoy the colour of Les Andelys, I see the Seine. An almost indefinable grey sea, even in the strongest sunshine under a blue sky. — Georges Seurat to Paul Signac, 25 June 1886* 'Synopsis Seriation,' Hecker's latest release with Editions Mego, draws upon current research in machine listening and music information retrieval, where the 'ghosts in the machine' are unsupervised, engineered operators designed to extract auditory features from a signal. The album advances a general research programme Hecker initiated through various projects. In 'A Script for Machine Synthesis' (EMEGO 226, 2017), the third chapter in the trilogy of text-sound pieces in collaboration with Reza Negarestani, both a resynthesized and a computer-generated voice modelled after the narrators voice, reflect on systems of language, automatons and chimerized synthesis. 'Articulação Sintetico' (EMEGO 180C, 2017) — a complete resynthesis of 'Articulação' (EMEGO 180, 2014) — features synthetic voice models of Joan La Barbara, Sugata Bose and Anna Kohler. Central to 'Inspection II' (EMEGO 268 / UF047, 2019) is a bespoke computer-generated voice, reciting Robin Mackay's libretto — by means of deep neural networks and machine listening computation, perpetually crossing formal anticipations of sound analysis to the unexpected artefacts of synthesis**. 'Synopsis Seriation' does away with such staging of computer-generated speech. It dramatises synthetic sound in all its unnameable intensities and detail by transforming four multichannel pieces Hecker produced since 2015. These have been analysed, dissected and reconstructed utilising information geometry, a subfield of mathematics at the interaction between statistics and differential geometry, designed by Vincent Lostanlen. Similarities and logical segmentation, partly accessible to the human listener, partially exclusive to virtual listening agents, open a dialogue with these spectral operators. Moving between analysis and synthesis, they render audible their intelligence signature, the signal trace of their nonhuman brain-ear, between discriminative and generative models. This newly seriated arrangement of 'Synopsis Seriation' further abstracts and detours the appearance of specific motifs, sequences and characters, into a hallucinatory gaze. Remembrance of what has just been heard, in which formulation and mode of synthesis continually navigate between sensible and highly formulated registers. Resembling George Seurat's perception of the Seine, 'Synopsis Seriation' is a streamlined, structured whole. Yet, by embracing time, succession, and sound as an immaterial, its multitude of auditory perspectives and encoded logic challenges a traditional synoptical overview of analytical architecture and resynthesized sensation. * Quoted in: Éric Alliez. The Brain-Eye: New Histories of Modern Painting. Trans. Robin Mackay. New York: Rowman and Littlefield, 2016. ** For further detail see: Hecker, F and Mackay, R. (2021) 'Synthetic Listening', in Bonnet, F. (ed.) Spectres #03 Ghost in The Machine. Paris: INA GRM / Shelter Press, forthcoming.

Inside of Violence by Introtyl, released 20 June 2017 1. Scum harlot from pseudo hull Primera grabación cruda y austera que desata un sonido incisivo. Material inédito de tipo rudimentario que recopila la primera etapa de la banda y que da preámbulo a próximo LP. ¡La banda de mujeres más reconocida en México que hace *** metal! ---------------------------------------------------------------- First recording raw, ausetere and trenchant. Unpublished rudimentary material that collect the first phase of the band and gives preamble to the first LP. The most recognized mexican- female band that makes *** metal!

Hands Remain by mitra mitra, released 17 January 2022 1. By Your Hand 2. Memories for Company 3. One and the Same 4. Dormant Carbon Coma 5. Hands Remain 6. Intersection 7. Vertigo 8. Ricochet 9. Monochrome 10. Insomnia 11. Western Side 12. Gappy Spheres

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Craniostomy, Vol. Two by Lawrence Crane, released 04 February 2022 1. Fast Moving Fragments 2. Sad Poetry Shadows The pieces on Craniostomy Vol. One were chosen by Seymour Glass from early works of mine from around 1981–1982. With Vol. Two, I was tasked with curating my own collection of early works. I had begun recording my weird electronic / acoustic / etc. music in high school, around 1980 when I was 17. My first cassette release was Disintegrated Circuits in 1981. When I entered college in the fall of 1981 at California State University, Chico, living in the dorms for two years and pretending to attend classes and study relegated the recording part of my life to winter and summer breaks. My second cassette, Escape from Top 40, was released in 1982. In late summer of 1983 I wrapped up my third cassette, Fast Moving Shadows, some of which was recorded in the Bay Area at my grand- father’s home over the summer and some at Steve Valin’s home in Chico that I moved into that fall. Living with Steve, and forming an actual “performing” unit called Ziplok, were to have a major impact on my music and life. We kept a bunch of instruments, noise makers, tape decks and such piled up near the home stereo in our living room, and I was free to muck around with noise whenever I wanted. Steve was a better musician than I, but I was driven to do something with these weird sounds.  Craniostomy Vol. Two is culled from recordings made between summer 1983 and winter 1984, right before Patricia de Rowland (née, Howard) and Lindsey Thrasher and I formed Vomit Launch in early 1985. Some of these recordings were used on my cassette releases Fast Moving Shadows (1983), Fragment (1984), and maybe even Sad Poetry of Departure (1985). I didn’t revisit or listen to these “proper” releases while building this collection, and I selected works that were repetitive or drone-based, steering away from “songs” from this era. To my ear now, these “songs” were pretty rough, and the best of what I learned in that form would soon be channeled into Vomit Launch’s collaborative compositions.  All of this music was tracked via a pair of home stereo cassette recorders, and with a little 9v battery-powered Radio Shack Realistic 4 Channel Stereo Microphone Mixer I could play back the initial tracking off deck 1 and record to deck 2 while adding another layer of instrumentation. I would not own a cassette multitrack until December 1986. Instrumentation was Steve’s fake P-Bass, his Hawaiian lap steel guitar, my fake Gibson SG electric guitar, borrowed Mattel Synsonics Drums, borrowed Maestro Echoplex, Casio PT-10, Casio VL-1, Texas Instruments SN76477 Complex Sound Generator, borrowed Roland synth, Pearl AD-08 analog delay pedal, Jaymar toy piano, Boss DM-2 analog delay pedal, borrowed Dunlop Cry Baby wah pedal, PAiA EK-5 analog delay kit, homemade triple oscillator box, homemade mono keyboard oscillator box, guts from a toy piano, homemade passive mixer, 8-track cartridge recorder (for distortion), two Radio Shack Realistic 33-1080 Electret Microphones, and samples from The Soul of Mbira LP, 1973. For the final presentation of Craniostomy Vol. Two, I collaged, layered, and rebuilt the selected tracks into a sonic journey of sorts. If I’d had the ability to edit, multitrack, and add more effects at the time, I certainly would have presented my recordings in this manner back in the ’80s. I assembled Craniostomy Vol. Two in January, 2022, via Pro Tools at my Jackpot! Recording Studio, in Portland, Oregon. I used plug-ins such as Valhalla Shimmer, UAD’s EMT 140 plate reverb, and Soundtoys’ EchoBoy and Little Plate for effects and setting up crossfades with sonic shifts. It was quite fun to engage with these tracks in a fresh way, and I think it casts the work in a better light when presented in this fashion. Enjoy!  —Lawrence “Larry” Crane, January 2022

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