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MIT Office of Academic Community, Empowerment and Success ome.mit.edu Sponsored in conjunction with the OACES’s Industrial Advisory Council for Minority Education (IACME), Master Your Future is a series of professional development events and workshops designed to help students successfully navigate through the corporate world. From internship advice and business etiquette, to resume building and interviewing skills, Master Your Future helps our students prepare for success.: 157 days ago
Music | Krupskaya
krupskaya.bandcamp.com
Krupskaya. Staffordshire, UK. Krupskaya are a grind band from Stoke-on-Trent, UK. Formed in 2005 from the ashes of *** Hate Propaganda, Skinheese and Kzzch. Since itâs inception in 2005 Krupskaya has toured in 21 countries and released over 70 tracks on 2 CDs, 4 records and various compilations. The music is characterised by the extreme violence of delivery and intensity of conviction.: 157 days ago
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Music | Wayne Peet waynepeet.bandcamp.com Wayne Peet. Los Angeles, California. Los Angeles based pianist, keyboardist, organist, recording engineer, & producer.: 157 days ago
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Jeff Tweedy jefftweedy.com The homepage of Wilco’s Jeff Tweedy: musician, songwriter, author, and record producer.: 157 days ago
Solo | Benny Green
bennygreen.bandcamp.com
Solo by Benny Green, released 12 May 2023 1. Soulful Mr. Timmons 2. The Maestro 3. Jackie McLean 4. Lonely Woman 5. This Here 6. Ruby, My Dear 7. Minor Mishap 8. Sunset 9. Blue Drew 10. Rouge 11. He Has Gone 24 bit / 48k The art of constructing a solo recording is the ultimate challenge for most musicians. Pianist Benny Green believes that the challenge provides the ultimate inspiration, as he is free to take the music in whatever direction he chooses. For his first solo recording in twenty years, simply named Solo, Green finds himself reflecting on pieces by pianists who have inspired him over the decades. Over his career, Green has solidified himself as one of jazz musicâs premier piano stylists. His command of the bebop, post-bop, and swing styles was harnessed and cemented through years of study and apprenticeship alongside the musicâs best, including jazz masters Walter Bishop, Jr., Oscar Peterson, and Art Blakey, with whom he played as a member of the legendary Jazz Messengers. Greenâs regular pianist pursuits usually found him playing and touring with a trio. When the quarantine stemming from the Covid-19 pandemic shut the door on the touring world, Green isolated like so many musicians. Isolation led to Greenâs need to connect with an audience. He began posting to Facebook many musings about music and life, along with a concentrated practice on solo material. Once opportunities allowed, Green came back to live performance, focusing on solo playing. This wasnât Greenâs first attempt at solo playing. He released Greenâs Blues (Telarc, 2001) as a young player aiming to show the world his mettle. Since that time, Greenâs focus has shifted. Rather than try to keep up with a younger generation of pianists aiming to outdo one another with pyrotechnics, Green decided to focus on cultivating his personal best in performance. This led him to focus on mid-tempo tunes and ballads, where he could respect the songsâ melodies and give his most thoughtful interpretation. As he began growing his solo repertoire, Green found himself more and more drawn to music created by pianist/composers. Green is a completist collector of these individuals and has studied the arcs of their careers, fascinating himself with their development and their self-care later in their careers, a facet of his development that has become important to him over the past few years. Green began taking the stage again as a solo act, performing this material. It was then that he began to take the suggestions of recording solo again more in earnest. In late December 2022, Green finally accepted the invite of Oakland, Californiaâs Piedmont Piano Company owner Jim Callahan to pick a piano to play and record on. The recording begins with James Williamsâs âSoulful Mr. Timmons,â a tribute from one Jazz Messenger pianist to another, originally recorded on Art Blakeyâs Album of the Year (Timeless, 1981) that inspired Green to dedicate himself to becoming one of Art Blakeyâs disciples himself. Cedar Waltonâs stately and uplifting âThe Maestroâ was the late pianistâs nod to the great Duke Ellington. Greenâs own âJackie McLeanâ is written for the saxophone great, the music evoking the saxophone and trumpet interactions from McLeanâs classic Blue Note recordings that have long inspired Green. Horace Silverâs âLonely Womanâ has long been a Green favorite, the pianist providing a straight reading of the moving ballad. The bluesy swing of tunes like Bobby Timmonsâs âThis Hereâ was ingrained in Green while he played with Blakey. Thelonious Monkâs music was part of the soundtrack of Greenâs life since his childhood days listening to his fatherâs record collection. Here Green performs a loving rendition of the first ballad he fell for, Monkâs âRuby, My Dear.â âMinor Mishapâ by Tommy Flanagan gets an exquisite reading with a well-paced, impressive walking bass line. McCoy Tynerâs evocative âSunsetâ comes from the legendâs first solo recording, Inception (Impulse, 1962), which is one of Greenâs all-time favorites. Greenâs âBlue Drewâ pays homage to Kenny Drew, mirroring the great pianistâs phrasing with double stops and right-hand play. The understated âRougeâ is a rarely heard piece by the understated composer, Barry Harris, that has a unique integrity between its harmonic and melodic structure. The recording ends with Oscar Petersonâs âHe Has Gone,â a heart-felt and poignant ballad that Peterson wrote for his son. The best inspiration for a challenging project usually comes from introspection. The pandemic allowed Benny Green to re***s his goals and approach to music. It also allowed him time to further investigate the music of his heroes so that he could reinterpret them on his new recording, Solo.: 157 days ago
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Music | Kansas Smitty's kansassmittys.bandcamp.com Kansas Smitty's. London, UK. It's a band, and it's a bar. It's all Jazz.: 157 days ago
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Music | Screaming Skull
thescreamingskull.bandcamp.com
Screaming Skull. Portland, Oregon. Heavy *** punk in the Pacific Northwest. Originally from New England.: 157 days ago
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Music | Zion Train ziontrain.bandcamp.com Zion Train. Cologne, Germany. One of the most unique and enjoyable live dub acts on the planet, their use of dynamic onstage dub mixing whilst performing alongside acoustic instruments and exceptional vocalists, make Zion Train one of a kind. â¢Celebrated 30 years existence in 2018 moving forward with positivity. â¢Have played well over â¢Own and operate their Abassi Sound System â¢Run the Universal Egg and Deep Root labels: 157 days ago
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Music | Francisco Meirino franciscomeirino.bandcamp.com Francisco Meirino. Lausanne, Switzerland. ATTENTION !!! Due to the US import tariffs: IT IS CURRENTLY IMPOSSIBLE TO SEND GOODS TO THE US. ___________ Francisco Meirino's music explores the tension between programmable material and the potential for its failure. His work combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision. www.franciscomeirino.com: 157 days ago
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