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The Lapse Of The Exchange / Alone Moving Often | Reto A Ichi
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Title:The Lapse Of The Exchange / Alone Moving Often | Reto A Ichi
Description:
The Lapse Of The Exchange / Alone Moving Often by Reto A Ichi, released 26 October 2018
1. These Times Are Closing Intro
2. *** in the Snow
3. Let the Pianos Freeze
4. No Juntos
5. It's Her Birthday
6. A Sword in the Rain
7. Zato Lullaby Pt. 2
8. All Regrets
9. The Leaning Tower of Our Leaders
10. Tuesday Always Awful
11. Percussions, Hearts and Airs
12. Broad Plant Pt. 2
13. These Times Are Closing Outro
14. Not Enough Gravity (Reprise)
15. Criminality
16. The World According to West 50th Pt.1
17. So Contra
18. Pforever Reto
19. The World According to West 50th Pt.2
20. Duration Meditation
21. Everything in the Air
22. Magazine PM
23. Alone Moving Often
24. Noise Counter Melody
25. Mountainside Hillside
26. Ghost Arpeggio
Reto A Ichi is a sonic tabula rasa for Guillermo Herren AKA Prefuse
73. There are identifiable elements of the artist you already know - an
uncanny sense for rhythm, an ability to shape samples and frequenci-
es like clay, an affinity for the subtle changes of repetition - yet this is
first and foremost music born from the need for silence. There is no
easy entrance point or index for the listener.
The first album, The Lapse of Exchange, is the sound of life as heard
from a small Chinatown window in downtown Manhattan, the thunder
of populism on the horizon. The album opens with music that reflects
the inherent tension between the life of the artist - the self-doubt, the
late nights, the aspirations - and the world outside - the hustle and
bustle of a city that never sleeps, the wars abroad, the politicians at
home. It's a tension felt in the repeating, circling keys of "Let The
Pianos Freeze", the pulsating rhythms of "No Juntos", or the call and
response of pitched vocal samples in "A Sword In The Rain". Ultimately it all becomes too much for our unwitting hero: the car horns outside
the window, the 24 hour news cycle, the early stages of an election
that tears down any remaining semblance of normality. Reto Aâichi can
no longer grasp his humanity or connect to that of people around him.
With the walls closing in, he packs his small life and escapes. This
change in situation is reflected in the second half of the album, with
tension giving way to a rush of emotions: modulated elation on "All
Regrets", sweeping melancholy on "Tuesdays Always Awful", and
soaring hope on "Broad Plant Pt.2".
On Alone Moving Often, the second album, we find Reto Aâichi away
from the city, lost in the vastness of empty summer houses and the
complications that solitude brings. Sitting in the prison of his own
quiet, Reto Aâichi seeks to capture the essence of silence: the compo-
sitions are stripped back further ("Pforever Reto"), the instruments
given prominence ("So Contra"), and the chaos of the city replaced by
the cacophony of nature ("Criminality"). To be alone, one must learn to
constantly move in both work and purpose. As the rest of the record
unfolds, Reto Aâichi comes to realize that nothing is ever truly quiet
and that to run from the world is to simply find yourself in another part
of it. A sense of acceptance for these unsettling realities is reflected in
the music, from the harsher tones and frequencies that resonate
throughout "Noise Counter Melody" and "Ghost Arpeggio" to the
heavy stroke of the keys on "Alone Moving Often" and the haunting
drone of "Mountainside Hillside".
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