Bandcamp.com - Muzztheband.bandcamp.com
Muzz | Muzz
Domain Summary
What percent of global Internet users visit Muzztheband.bandcamp.com?
• 6.0E-7% of global Internet users visit Muzztheband.bandcamp.com
How many people visit Muzztheband.bandcamp.com each day?
• Muzztheband.bandcamp.com receives approximately 30 visitors and 67 page impressions per day.
Which countries does Muzztheband.bandcamp.com receive most of its visitors from?
• Muzztheband.bandcamp.com is mostly visited by people located in United States.
How much Muzztheband.bandcamp.com can earn?
• Muzztheband.bandcamp.com should earn about $0.32/day from advertising revenue.
What is Muzztheband.bandcamp.com estimated value?
• Estimated value of Muzztheband.bandcamp.com is $263.54.
What IP addresses does Muzztheband.bandcamp.com resolve to?
• Muzztheband.bandcamp.com resolves to the IP addresses 151.101.129.91.
Where are Muzztheband.bandcamp.com servers located in?
• Muzztheband.bandcamp.com has servers located in San Francisco, California, 94107, United States.
muzztheband.bandcamp.com Profile
Title:Muzz | Muzz
Description:
Muzz by Muzz, released 05 June 2020
1. Bad Feeling
2. Evergreen
3. Red Western Sky
4. Patchouli
5. Everything Like It Used To Be
6. Broken Tambourine
7. Knuckleduster
8. Chubby Checker
9. How Many Days
10. Summer Love
11. All Is *** To Me
12. Trinidad
Alright, letâs just get this part out of the way: Muzz is a new band comprised of three gentlemen you probably know from other bands. Paul Banks is the singer in Interpol, has a project with The RZA called Banks + Steelz, and has released records as a solo artist. Matt Barrick played drums for Jonathan Fire*Eater and The Walkmen, and youâve likely seen him on tour with Fleet Foxes. Josh Kaufman is a third of the folk group Bonny Light Horseman and has his producer mitts all over esteemed recordings by The National, Bob Weir, The Hold Steady, The War on ***, and many more. Paul + Matt + Josh = Muzz. OK, phew.
So how did we get here? Why, casually, of course. Banks and Kaufman have been friends since their formative teen years, having attended high school together overseas before separately moving to New York City for further study. There, they independently crossed paths with Barrick while running in similar music circles and shapeshifting scenes. Some years on, they each remained in touch: Barrick drummed in Banks + Steelz and on some of Kaufmanâs production sessions; Kaufman helped on Banksâs early Julian Plenti solo endeavor; various demos were collaborated on; a studio in Philadelphia was co-bought; âwhat ifâs and âwe shouldâs were tossed about. By some accounts, Muzz recordings date back to 2015; cosmically speaking, though, the seeds were planted long ago. Either way, when the opportunity to make music as a trio presented itself, the gentlemen pounced.
âWe found a spot that represents what the three of us love, so it was a collaborative production,â Kaufman says. âFinding a place where we met aesthetically was really cool, especially at this point in our lives. Iâm not surprised that Paul and I are in a band together after all these years; what I am surprised by is that my favorite drummer is the guy who brought us back together to make music. Heâs this rare rock drummer who came out of the D.C. ***/ska scene and swings like a jazz drummer. Matt was the magnet.â
Banks elaborates: âI love The Walkmen and every band Mattâs been a part of; he does things on the drums that are so subtle and tasteful it gives me the warm fuzzies. And since we were kids, Josh has been a real inspiration to me, a talent on some other plane. As a producer he creates an environment where other musicians can shine. Thereâs a creative overlap we share that revolves around Leonard Cohen, Neil Young, The Stones, and Dylan that I havenât really had an outlet for all these years, so this is us exploring that.â
âJosh has more training as a theory musician while Paul comes from a different perspective,â Barrick says. âYou never know how Paulâs gonna approach a song, lyrically and melodically, so itâs always unusual and exciting. Everyone is open to everyone elseâs ideas. I think three is a great number of people for a band. We all had a big hand in everything.â
With that level of creative chemistry in the lab, the only foreseen hold-up would be one of timing. Due to the sheer weight of the trioâs independent obligations, the Muzz project took shape at a simmer. Multiple sessions were held over the years at various practice spaces and studios like Barrick and Banksâ Silent Partner in Philadelphia and Kaufmanâs preferred Isokon in Woodstock, New York, with his regular engineer Dan Goodwin filling in as co-producer on the album. A typical session incorporated demos that Banks or Kaufman brought to the table with room in place for any member to build upon an idea as he felt, or with a new skeleton composed during a jam in the live room. Barrick and Kaufman tended to work on music in the early parts of the days, and Banks would join them to add lyrics and melodies on top or in tandem. In a first for Banks, the lyrics were not entirely his domain, as Barrick and especially Kaufman contributed words to certain songs and helped shape things vocally. The band always recorded as they rehearsed, lending a freshness to the material that also benefitted the patchwork schedule.
âItâs genuinely collaborative, a three-headed monster,â Banks says. âWe generate music together, and songs come from all directions. No one person is calling the shots, itâs equal-everything.â
Sonically, the band aimed for a timeless tone, one that would make the music hard to place when viewed from some distance. In fact, the bandâs name holds a meaning that serves to describe that very feeling. âWe didnât want the recordâs era to be overly identifiable, so we used traditional recording methods with a live, analog feeling,â Banks says. âItâs a little more *** and open at times. Josh uses the word âmuzzâ to describe a texture of sound he likes in certain older recordings, so itâs his attempt to put a term to a subtle analog quality. It became very married to our sound.â
âThe music has this weird, super removed vibe but is also personal and emotional at the same time,â Kaufman says. âWhether itâs Paul speaking in character or itâs the backdrop to a movie thatâs not really there, thatâs something we were going for. If something felt natural in a simple way, we left it. Iâd never heard Paulâs voice framed like thatâa string section, horns, guitarsâwe know none of that is visionary but it felt classic and kind of classy.â
The resulting songs are dark and gorgeous, expansive and sparse, like Cormac McCarthy prose stretched across a cowboy painting of a sunset. âBad Feelingâ chimes and slinks with a touch of Bryan Ferry panache as Barrickâs kick drum pushes the tune along and Kaufmanâs Rhodes fills the space. âEvergreenâ features Banksâs vocal doubling down on Kaufmanâs gorgeous slide guitar melody, and âPatchouliâ and âSummer Loveâ burrow and twinkle psychedelically. There are upstart rockers like âRed Western Skyâ and âKnuckledusterâ and jazz-beat drum showcases like âHow Many Daysâ and âAll Is *** To Me,â but no matter the sonic direction Muzz go, they go there as if effortlessly and with maximum emotional, cosmic charge.
âI donât ever write with the intention of giving records an overarching theme, as that feels very limiting,â Banks says. âBut looking back, I think the through line for me is meditations on mental health, and the quest for happiness and the way in which the mind can play tricks on us. But, ultimately, the music speaks for itself. We have a genuine, organic artistic chemistry together. Itâs partly a shared musical taste from youth, as with me and Josh, but then itâs also the souls of my friends that resonate with me when expressed through music. I think itâs cosmic.â
What technologies does muzztheband.bandcamp.com use?
These are the technologies used at muzztheband.bandcamp.com. muzztheband.bandcamp.com has a total of 8 technologies installed in 8 different categories.muzztheband.bandcamp.com Traffic Analysis
This website is viewed by an estimated 30 visitors daily, generating a total of 67 pageviews. This equates to about 0.9K monthly visitors.Daily Visitors30
Monthly Visits0.9K
Pages per Visit2.21
Visit duration00:08
Bounce Rate7.24%
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- Daily Unique Visitors:
- 30
- Monthly Visits:
- 909
- Pages per Visit:
- 2.21
- Daily Pageviews:
- 67
- Avg. visit duration:
- 00:08
- Bounce rate:
- 7.24%
- Global Reach:
- 6.0E-7%
- Monthly Visits (SimilarWeb):
- 896
- HypeRank:
- n/a
Total Visits Last 3 Months
796
SEP
0.9K
OCT
0.9K
NOV
Visitors by country
- Country
- Users%
- United States 100.00%
Last update was 6 days ago
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SEMrush is a complete on line advertising and marketing platform that gives a extensive variety of gear and functions to help companies and entrepreneurs in enhancing their on line visibility and optimizing their virtual advertising and marketing strategies.- Domain:
- muzztheband.bandcamp.com
- Rank:
(Rank based on keywords, cost and organic traffic) - n/a
- Organic Keywords:
(Number of keywords in top 20 Google SERP) - 0
- Organic Traffic:
(Number of visitors coming from top 20 search results) - 0
- Organic Cost:
((How much need to spend if get same number of visitors from Google Adwords) - $0.00
Revenue report ▼
Google.com would generate approximately $0.3 per day if the source of income were advertisements, which equates to an estimated monthly revenue of $9.6 and annual gross revenue of approximately $116.8. Based on these figures, the site's net worth is estimated at around $263.5.How much would muzztheband.bandcamp.com make?
- Daily Revenue:
- $0.32
- Monthly Revenue:
- $9.60
- Yearly Revenue:
- $116.80
Daily earning by country
- CountryPageviewsEarning
- United States 67$0.32
Loss of money due to Adblock?
- Daily Revenue Loss:
- $0.06
- Monthly Revenue Loss:
- $1.75
- Yearly Revenue Loss:
- $21.26
- Daily Pageviews Blocked:
- 12
- Monthly Pageviews Blocked:
- 362
- Yearly Pageviews Blocked:
- 4,402
Daily revenue loss by country
- CountryBlockedLost Money
- United States 12$0.06
How much is muzztheband.bandcamp.com worth?
- Website Value:
- $263.5
Ad Experience Report ▼
Summary of the ad experience rating of a website for a specific platform.Mobile summary
- Root domain:
- bandcamp.com
- Ad filtering:
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- Status:
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Desktop summary
- Root domain:
- bandcamp.com
- Ad filtering:
(Chrome is not filtering ads on your site.) - Off
- Status:
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Abusive Experience Report ▼
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- bandcamp.com
- Enforcement:
(Chrome is not preventing your site from opening new windows or tabs.) - Off
- Status:
(The status of the site reviewed for the abusive experiences.) - Not reviewed
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Muzztheband.bandcamp.com may be hosted in multiple data centers distributed in different locations around the world. This is probably just one of them.- Server IP:
- 151.101.129.91
- ASN:
- AS54113
- ISP:
- Fastly
- Server Location:
- San Francisco
California, CA
94107
United States, US
Other sites hosted on 151.101.129.91
There are no other sites hosted on this IPHow fast does muzztheband.bandcamp.com load? ▼
The average loading time of muzztheband.bandcamp.com is 998 ms.- Average Load Time:
- 998 ms
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Website compression is the process of reducing the size of website files, such as HTML, CSS, JavaScript, and image files, to improve website performance and load times. Compressing website files can significantly reduce the amount of data that needs to be transferred from the server to the user's browser, resulting in faster page load times and improved user experience. Files on muzztheband.bandcamp.com are reduced by 80%.
muzztheband.bandcamp.com use gzip compression.
Original size: 335.27 KB
Compressed size: 64.34 KB
File reduced by: 270.92 KB (80%)
Compressed size: 64.34 KB
File reduced by: 270.92 KB (80%)
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An SSL (Secure Sockets Layer) certificate is a digital certificate that establishes a secure encrypted connection between a web server and a user's web browser. It provides authentication and encryption, ensuring that data transmitted between the server and the browser remains private and protected. muzztheband.bandcamp.com supports HTTPS. muzztheband.bandcamp.com supports HTTPS
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Common Name: *.bandcamp.com
Organization:
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Issuer: GlobalSign Atlas R3 DV TLS CA 2025 Q2
Valid from: May 22 23:03:07 2025 GMT
Valid until: Jun 23 23:03:06 2026 GMT
Authority: CA:FALSE
Keysize: 2048 Bits
Organization:
Location:
Issuer: GlobalSign Atlas R3 DV TLS CA 2025 Q2
Valid from: May 22 23:03:07 2025 GMT
Valid until: Jun 23 23:03:06 2026 GMT
Authority: CA:FALSE
Keysize: 2048 Bits
Common Name: GlobalSign Atlas R3 DV TLS CA 2025 Q2
Organization: GlobalSign nv-sa
Location: BE
Issuer: GlobalSign
Valid from: Jan 22 04:06:27 2025 GMT
Valid until: Jan 22 00:00:00 2027 GMT
Authority: CA:TRUE
Keysize: 2048 Bits
Organization: GlobalSign nv-sa
Location: BE
Issuer: GlobalSign
Valid from: Jan 22 04:06:27 2025 GMT
Valid until: Jan 22 00:00:00 2027 GMT
Authority: CA:TRUE
Keysize: 2048 Bits
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Http Header ▼
HTTP headers are extra portions of records despatched among a consumer (which include an internet browser) and a server at some stage in an HTTP request or response. They offer instructions, metadata, or manipulate parameters for the conversation among the consumer and server.location: https://muzztheband.bandcamp.com/album/muzz
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DNS Lookup ▼
DNS entries (Domain Name System) are a critical component of the Internet infrastructure. They act as directories that translate human-readable domain names (such as example.com) to machine-readable IP addresses. DNS records are stored on DNS servers and help forward internet traffic efficiently.| Type | Ip | Target/Txt | TTL |
| A | 151.101.1.91 | 86394 | |
| A | 151.101.65.91 | 86394 | |
| A | 151.101.193.91 | 86394 | |
| A | 151.101.129.91 | 86394 |