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Spectral Granulations for Electric Guitar (2024) | Doug Michael
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Title:Spectral Granulations for Electric Guitar (2024) | Doug Michael
Description:
Spectral Granulations for Electric Guitar (2024) by Doug Michael, released 10 June 2024
1. Tadpole
2. Arc of the Day
3. October 9th
4. Marilyn
5. Bethal Island
6. Collapsed Portal
7. Pitchblack
8. A Fall Afternoon Stroll
9. On a Foggy Morning Near a Wooded Lake
10. It Just Is
11. Memories of a Past Acquaintance
12. Crickets
This is a collection of guitar music for the modern guitarist of the 21st century. Every sound on this album was created from the electric guitar. Many of these pieces were performed and recorded live. There was no Artificial Intelligence used in the creation of this album, it is 100% human.
The album title comes from 2 processing techniques I used throughout this music. Spectral and Granular synthesis.... other techniques were used but these 2 were the mainstays in creating much of this music. There are many amazing tools out there for musicians, composers and performers. The tools I used were Electric Guitar, Guitar Pedals, Matrix Mixers, Ableton, Cubase and various Plug-Ins. There are some very unique guitar pedals hitting the market these days and I've incorporated some of these pedals into this album and into my sonic work overall.
Every tune here was created using different processes, but currently my main pedalboard setup is divided into 3 signal pathways that are controlled thru a matrix mixer. I started using this configuration with my album 'Magnetosphere.' This setup allows my guitar to move into any one of these signal pathways at will. In addition, I can take any of the 3 signal paths and feed them into the other 2 pathways. This provides some amazing results and many happy accidents. I feel with this album I am just scratching the surface of the sonic potential this type of setup provides.
We are all products of our influences and growing up I would watch my father, who was a very good painter and sculptor, produce these amazing pieces of art, seemingly from nothing. From this, I've always had a keen interest in the visual arts. I gravitate to the Abstract Expressionist artists like Kandinsky, Pollack, de Kooning, Diebenkorn, Frankenthaler, & Rothko. If you carry this over to music, one naturally moves away from the common accepted forms of music and into a more manipulation of sound. Ways to get new unique sounds.... sounds never heard before. I think of this as more sonic sculpting than music composing. For this exploration, I use my guitar as the vehicle.
Pauline Oliveros once said, "Deep Listening represents a heightened state of awareness and connects to all that there is." In performing this music I had to re-evaluate my guitar playing. It turned out the 'less is more' is very applicable to this kind of music. Many times I played very sparsely and let the processing steer my next musical move. Being a good listener was essential for the processing to take it's full shape.
For me, music has the power to create sacred spaces and moments, transforming ordinary surroundings into sanctuaries for the spirit. Music has the ability to transport listeners to another place, a way to venture beyond. In these moments, commonly referred to as 'in the zone,' time seems to stand still. We feel a sense of connection with something greater than ourselves, a connection that is both deeply personal and profoundly universal. This is where I try to go when I create music.
© 2024 by Doug Michael
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